Teaching Bellydance - Physical Limitations and Pregnancy

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The Return of Egyptian Dance Students

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Hi everyone, as you know online classes are becoming more popular around the world as many countries have experienced covid lockdowns and temporary studio closures. I ran events, festivals and classes in Egypt for many years, but of course like many others, am still waiting until its the right time to recommence. For now, we have online options for dancers to study various cultural dance arts with live Egyptian music & percussion. One of the courses I offer is A-Z Bellydance. Recently, many of my former Egyptian students (from Cairo, Luxor, Alexandria, Fayoum, Red Sea) and new students from Egypt, are taking A-Z Bellydance classes. I was curious as to why they were interested in taking classes when they already know how to Bellydance... a social norm in Egypt!  Here's a short 4 minute chat about why they are doing bellydance classes.  Listen here: http://ketisharif.com/music/egyptiandancestudents.mp3 Warm wishes, Keti
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How to Bellydance with More Ease

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Dear dancers,  in this video I talk about the role of the autonomic nervous system in movement, and offer simple tips on how to bellydance with more fluidity & ease, to feel more relaxed and responsive.  If you like this easeful way of dancing, you can see more of it in my Somatic work and A-Z Bellydance courses at www.ketisharif.com Click the video below to watch now!
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Space and Sound: The effects of live and pre-recorded music on dance

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Many dancers, musicians and performing artists have tried their hand at digitally editing performance footage at some time, perhaps from live gigs or  for promotional clips . I've been editing for many years, and have several sound engineers in the family who digitally master music. We've found these waveforms to be quite revealing, highlighting nuances that are sometimes difficult to pick up by listening alone. To observe audio as digital waveforms is always fascinating, as they show the 'structural form' of sound. In recent years, whilst editing dance performance clips, some interesting patterns and differences between live music and pre-recorded waveforms have emerged, that have spiked my curiosity. The main difference is the syncopation of sound with visual performance footage that to live music, compared to choreographed work to pre-recorded cd tracks. In 1998, when I filmed and edited "Bellydance Live" in Cairo, with an Egyptian band, where we d
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